Lerna Babikyan
Ecosomatic practices, which are also experiential learning practices, are being widely used globally by experts in various fields—in addition to dance—such as psychology, education, art therapy, healing architectural design, and climate activism. This is because they develop skills like sensory awareness and empathy, and can help re-establish the lost connection with the 'Other.'
Araz Kojayan
One hot summer afternoon, my father asked me to bring back “one kilo of almonds,” (noush in Armenian). I was to try our local grocers first, but if I couldn't find any, I had permission to go to Nor Marash. My wish had finally been granted. That day, I gained the opportunity to cross the avenue that was otherwise off-limits to my nine-year-old self. I entered the first shop with enthusiasm. Noticing that no one was speaking Armenian, I simply said, “Baddi kilo noush” (one kilo of noush in Arabic), not realizing that “noush” was not an Arabic word.
Aylin Vartanyan
Talin Suciyan
Photographs showing Armenian women with long, braided hair were mostly taken before 1915. After that date, in cities such as Aleppo, Beirut, Jerusalem, Alexandria, Cyprus, Syros, Athens, Piraeus, and elsewhere, surviving Armenian women, orphans and widows alike, appear with their hair cut short or completely shaved. The hair of children, in particular, was often shaven off. Cutting the hair of women and young girls was seen as a precaution against an invisible threat.
Meri Tek Demir
Every March 8, various events are held on the Ottoman Armenian women’s movement, and over the years a considerable number of books and opinion pieces have been published about these pioneering writers. Yet I must admit — and this forms the first reason for my “apology” — that their literary production has largely been overshadowed by their life stories.
Talin Suciyan
Hratch Kozibeyokian was born into weaving. His father learned carpet weaving from the surviving women weavers of Kaghtagayan in Aleppo. In 1977, Hratch came from Beirut to California, where he continued the profession of carpet restoration with his father. When Hratch began to take carpets from his collection and “read” their stories one by one, I realized how deprived we are of such fundamental knowledge, and how no amount of listening would ever feel enough. He would look at a single carpet and see an entire lifetime.