Aylin Vartanyan
The independent theater group Hangardz brought Saroyan’s play My Heart’s in the Highlands to life under the direction of Tara Demircioğlu and Yeğya Akgün, delivering a performance that deeply moved audiences and earned accolades. For nearly three seasons, it graced various stages in Istanbul. After the group’s tour in Armenia, the idea for the documentary emerged, revisiting themes explored in the play, such as belonging, roots, longing for home, and a sense of safety.
Meri Tek Demir
In his debut novel Unufak, Rober Koptaş attempts to touch upon the suffering and devastating societal events experienced by the Armenian community of the 20th century through a story crafted across three generations.
Araz Kojayan
Weeks ago, when the Israeli army ordered the people of the south via X (formerly Twitter) to leave their homes and 'relocate to safer places,' large numbers of refugees arrived in our areas. Zaven, a clothing vendor friend in Bourdj Hammoud, told me, 'Three women came to my shop, around 50–60 years old, dressed in black and wearing headscarves, asking if I needed workers; they’re looking for work. My heart shattered. I already don’t have work for myself; I couldn’t say anything to them.' Not long after, a woman stopped me in front of my house, asking, 'Do you know of any houses for rent?'
Lusi Tek
Cevahirciyan, who was an apprentice to Abdullah Brothers in Istanbul, established the first photography studio in Ankara in 1889 or 1890. Until the mid-1910s, he photographed events such as groundbreaking ceremonies of official buildings, inaugurations and official celebrations. Tsolag, one of the Dildilyan Brothers, apprenticed under Cevahirciyan, who is believed to have had a studio in Sivas before Ankara, and learnt the profession from him.
Aylin Vartanyan
The International Hrant Dink Award ceremony turned into a celebration for women this year, and later created a discussion area where we could talk about ‘woman-to-woman’ solidarity models. When it comes to Armenian women living in the diaspora, there is not enough space to talk about violence against women in the public sphere. Different practices of violence against women and girls that remain behind closed doors can be buried in silence